Propellerhead ReCycle Spécifications Page 72
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- Table des matières
- MARQUE LIVRES
Noté. / 5. Basé sur avis des utilisateurs
TRANSMIT AND SAMPLER OPTIONS
70
Selecting a Sampler to
Transmit to
To route the Receive and Transmit functions to a particular sampler, select it
from lower section of the Sampler menu. If your sampler is not on the menu you
must add it in the Sampler Settings dialog, see page 30.
! For file-based samplers such as SampleCell and for the Akai
S5000/6000 sampler series you do not use the Transmit dialog, but
the Export dialog on the File menu. See the Sampler and File Refer-
ence pdf manual for details.
An Akai S3000 selected.
You can have several samplers connected, either of different types or of the
same type, but only one at a time can be selected.
You can switch samplers while you are working with the program, which allows
you for example to Receive a sound from one sampler and Transmit it to another.
Transmit and Memory
The program needs free memory in the computer for Transmitting. In a worst
case scenario (with Stretch set to 100%) it needs twice the memory of the long-
est slice. This means that if you have “Transmit As One Sample” turned on and
use high Stretch factors, you need to make sure you have enough memory left
when you Transmit.
For more information, see page 14 (MacOS only) and page 36.
Transmit Options
On the Process menu, you will find two Transmit settings (or “options”); ”Trans-
mit as One Sample” and “Silence Selected”. These options can also be toggled
on or off using the two Transmit Option buttons on the Toolbar:
DD
DD
Transmit as One Sample has no effect on playback in ReCycle. Si-
lence Selected, however, can be auditioned in Preview mode.
DD
DD
Each document has its own settings.
If you are working with a lot of windows, be sure to check that the settings
are correct before you Transmit. The settings are also saved to disk with the
file when you Save.
Transmit as One Sample
Deactivated
When Transmit As One Sample is turned off, the audio gets sliced into individ-
ual samples when transmitted, and the MIDI files created will contain one note
for each of those slices.
! This is the preferred mode if you want to use your MIDI sequencer
to edit the loop, change its tempo or use the MIDI file as a groove.
Activated
When Transmit As One Sample is turned on, the program will transmit the part
that stretches from the Left Locator to the Right as one sample. Also, in this
mode, the MIDI File will only consist of one event, with the length set using the
Bars and Beats settings.
When should Transmit as one Sample be Activated?
One obvious application of transmitting as one sample (as opposed to separate
slices) is when you simply want to change the properties (like pitch and/or
tempo) of an audio file without otherwise changing it. Say you have an audio file
(Wave, Aiff etc.) that you wish to use in a song. The problem is that the tempo
and/or the pitch of the file is wrong for the song, and you wish to fix this. The so-
Transmit as One Sample Silence Selected
- , Operation Manual 1
- TABLE OF CONTENTS 4
- Clearing 8
- About This Manual 9
- INTRODUCTION 10
- MACINTOSH INSTALLATION 12
- Audio Card Driver 14
- System Information 15
- WINDOWS INSTALLATION 18
- Installing ReCycle 19
- Setting Up The Sampler 19
- MIDI and SCSI 19
- Audio Settings 21
- Getting Help and 22
- Additional Info 22
- Contacts 23
- About ReCycle 24
- Quick Tour of ReCycle 25
- How ReCycle Works 26
- Using ReCycle - Step By 27
- QUICK TOUR OF RECYCLE 28
- Exporting to File 30
- Sampler Settings 31
- The Sampler Settings 32
- Adding a Sampler Manually 33
- Making Settings for a Sampler 34
- SAMPLER SETTINGS 35
- Opening and Receiving Audio 37
- About Sounds and 38
- Using Open 38
- File Information 39
- Using Drag and Drop 40
- Launching from Files 40
- Receiving Audio from the 40
- If the “Do you want to 41
- OPENING AND RECEIVING AUDIO 42
- The ReCycle Window 43
- Window Overview 44
- Status Bar 45
- Window Title 45
- Level Meter 45
- Handling Windows 46
- Magnification, Song 46
- Position and Scrolling 46
- Waveform Display 47
- The View Menu 48
- The Edit Menu 48
- Context Menu Items 49
- Slice Handles 50
- Left/Right Locator Area 50
- Playing Audio 51
- Audio Quality 52
- Playing the entire Loop 52
- Auditioning Slices 52
- Preview mode 53
- PLAYING AUDIO 54
- Setting Slices And Loops 55
- Using Sensitivity 56
- Using the Hide tool 56
- Bringing back Hidden Slices 57
- When do I use the Hide tool? 57
- Using the Lock Tool 58
- Selecting Slice Markers 59
- Manual Slice Handling 59
- Moving a slice marker 60
- Where do I place the Slice? 60
- Deleting Slices 60
- How many Slices do I 61
- Left and Right Locator — 61
- Setting the Loop 61
- Tempo, Time Signature 62
- Bars and Beats 62
- Processing Audio 63
- About the Effects 64
- Effect Parameters 65
- Transient Shaper 66
- Equalizer 66
- The Process Menu 67
- Additional Processing 68
- Gate Sensitivity 69
- Preview Pitch 69
- Preview Tempo 69
- PROCESSING AUDIO 70
- Transmit and Sampler Options 71
- Selecting a Sampler to 72
- Transmit to 72
- Transmit and Memory 72
- Transmit Options 72
- The Transmit dialog 73
- Program Name 74
- Sample rate 74
- Templates 74
- Transmit 75
- MIDI File + Transmit 75
- TRANSMIT AND SAMPLER OPTIONS 76
- Saving and Exporting 77
- Saving ReCycle 78
- Documents 78
- Exporting Files 78
- File Formats 79
- Export Settings 80
- Exporting MIDI Files 80
- Templates and MIDI Files 81
- SAVING AND EXPORTING 82
- Example Applications 83
- Which Samples will work? 84
- The Simple Trim 84
- EXAMPLE APPLICATIONS 85
- Slicing for Editing 86
- Using Silence Selected 86
- Extracting a Groove 87
- Quantizing Audio 87
- Extracting Sounds 88
- Using Loops with unusual 88
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