Propellerhead Reason Spécifications télécharger pdf (Page 132)

MALSTRÖM SYNTHESIZER

130

The output controls

These two parameters control the output from the Malström in the following way:

Volume

This knob controls the master volume out from the Malström.

Spread

This controls the stereo pan-width of the outputs from Osc:A/B and Filter:A/B

respectively. The farther to the right you turn the knob, the wider the stereo im-

age will be. In other words, the signals will be panned further apart to the left and

right.

! If you are only using one output (A or B), it is strongly recom-

mended that you set Spread to “0”.

The play controls

To the far left on the Malström’s “control panel” are various parameters that are

affected by how you play, and lets you apply modulation by MIDI controls. The

following is a description of these controls.

Polyphony - setting the number of voices

This lets you set the polyphony for the Malström. Polyphony is the number of

voices it can play simultaneously. The maximum number is 16 and the minimum

is 1, in which case the Malström will be monophonic.

! The number of voices you can play depends of course on the capac-

ity of your computer. Even though the maximum number is 16 it

doesn’t necessarily mean that your system is capable of using that

many voices. Also note that voices do not consume CPU capacity

unless they are really “used”. That is, if you are using a patch that

plays two voices but have polyphony set to four, the two “unused”

voices do not consume any of your system resources.

Porta (portamento)

This is used for controlling portamento. This is a parameter that makes the pitch

glide between the notes you play, rather than changing the pitch instantly as

soon as you hit a key on your keyboard. By turning this knob you set how long it

should take for the pitch to glide from one note to the next as you play them.

With the knob turned all the way to the left, portamento is disabled.

Legato

By clicking this button you activate/deactivate Legato. Legato in Malström is

unique in that it allows you to control whether the sound is monophonic or poly-

phonic by using your playing style:

D If you play legato (hold down a key and then press another key

without releasing the previous), the sound is monophonic.

Also note that the pitch changes, but the envelopes do not start over. That

is, there will be no new “attack”.

D If you play non-legato (separated notes), with polyphony set to

more voices than 1, each note will decay separately (polyphonic).

This will be most apparent with longer release times.

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Propellerhead Reason Spécifications Page 132

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