Propellerhead Reason Spécifications télécharger pdf (Page 226)

THE EFFECT DEVICES

224

Common Device Features

While the specific parameters for each device are described below, some fea-

tures and procedures are common to all effect devices:

The Input meter

This shows the level of the incoming audio signal, giving you an indication of

which devices are active, connected and playing. However, you don’t need to

worry about clipping in effect devices, even if the meter goes into the red.

The Power/Bypass switch

This is located in the upper left corner of each effect device. The switch has

three modes, according to the following figure:

About making settings

You adjust effect parameters using the regular editing techniques, as described

in the Getting Started book. Note:

✪ A quick way to reset the parameters to their default values is to

[Command]/[Ctrl]–Click the corresponding knob.

About Connections

D All effect devices have stereo inputs and outputs, and can be con-

nected as send effects or as insert effects.

However, some effects are best used as one of these only. This is stated for

each effect on the following pages. See also the section about the signal

flow graphs below.

D Most of the effect devices have one or several CV inputs on the

back panel.

These allow you to control various effect parameters in real-time, from an-

other device in the rack. See page 36 for details about routing CV.

The Signal Flow graphs

On the back of each effect device, you will find two or three small “graphs”.

These indicate how the effect device handles mono and stereo signals, depend-

ing on the connections. The selection of graphs for a device tells you how it

should be used, according to the following rules:

| Mode | Description

Bypass In this mode, the input signal is passed directly to the audio output,

without being affected by the effect device. This is useful when the

effect device is connected as an insert effect, and you want to

compare the effect sound with the dry sound.

On This is the default mode, in which the device processes the incom-

ing signal.

Off In this mode, the effect device is turned off and neither dry nor ef-

fect sound is sent out. This is useful when the device is connected

as a send effect and you want to turn it off temporarily.

| Graph | Description

Can be connected as a mono-in, mono-out device.

(Of course, all effect devices can be connected in mono. However,

if this graph isn’t shown for a device, this means that a mono-in,

mono-out connection may not give the proper results).

Can be connected as a mono-in, stereo-out device. This means that

the device creates some sort of stereo effect (e.g. a reverb) or a

mono effect that can be panned.

If you connect both inputs and outputs in stereo, the two sides will

be processed independently (dual mono processing).

If you connect both inputs and outputs in stereo, the two sides are

summed before the effect processing. However, the actual effect is

in stereo (and the dry signal will remain in stereo, if it is passed

through the effect).

“True stereo” processing, or “stereo in - stereo out” processing.

When you connect the inputs in stereo, each channel in the effect

uses the signal information from both inputs. However, the inputs

are not summed - the two channels are processed differently.

This mode is available on the RV7000 Advanced Reverb.

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Propellerhead Reason Spécifications Page 226

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