Propellerhead Reason Spécifications télécharger pdf (Page 135)

MALSTRÖM SYNTHESIZER

133

Sequencer Control

The Sequencer Control CV and Gate inputs allow you to play the Malström from

another CV/Gate device (typically a Matrix or a Redrum). The signal to the CV in-

put controls the note pitch, while the signal to the Gate input delivers note on/off

along with velocity.

! For best results, you should use the Sequencer Control inputs with

monophonic sounds.

Gate Input

These inputs can receive a CV signal to trigger the following envelopes:

• Amp Envelope

• Filter Envelope

! Note that connecting to these inputs will override the normal trig-

gering of the envelopes. For example, if you connected a Modula-

tion output to the Gate Amp in-put, you would not trigger the amp

envelope by playing notes, as this is now controlled by the Modula-

tor. In addition you would only hear the Modulator triggering the

envelope for the notes that you hold down.

Modulation Input

These control voltage (CV) inputs (with associated voltage trim pots and A/B se-

lector switches), can modulate various Malström parameters from other devices,

or from the modulation outputs of the same Malström device. These inputs can

control the following parameters:

• Oscillator Pitch

• Filter Frequency

• Oscillator Index offset

• Oscillator Shift

• Amp Level

• Mod Amount

• Mod Wheel

Modulation Output

The Modulation outputs can be used to voltage control other devices, or other

parameters in the same Malström device.

The Modulation Outputs are:

• Mod:A

• Mod:B

• Filter Envelope

Routing external audio to

the filters

The audio inputs on the back of the Malström allows you to connect any audio

signal to the filters and Shaper.

To use this feature, it’s important to understand the following background:

Normally the Malström behaves like any regular polyphonic synthesizer, in that

each voice has its own filter. The filter settings are the same, but each filter enve-

lope is triggered individually when you play a note.

However, when you connect a signal to the audio inputs, it is routed to an “extra”

filter. The envelope for this filter is triggered each time any of the other filter en-

velopes is triggered. In other words, the “extra” filter envelope is triggered each

time you play a note on the Malström.

There are two different uses for the audio inputs:

Connecting an external signal source

Connecting an audio signal from another device in the rack to the audio input al-

lows you to process the signal through the filters and/or Shaper of the Malström.

The processed signal will then be mixed with the Malström’s “own” voices (if ac-

tivated) and sent to the outputs.

The result depends on the following:

• To which jack you connect the signal.

• Whether the filters and/or Shaper are activated on the front panel.

• The routing button for filter:B.

If this is activated and you connect a signal to the Filter:B input, the signal

will be processed in filter:B and then sent to the Shaper and filter:A (just as

when routing Malströms own oscillators on the front panel).

Note again that the filter envelope is triggered by all voices. To make use of the

filter envelope, you either need to play the Malström or use gate signals to trig-

ger it or the filter envelope, separately.

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Propellerhead Reason Spécifications Page 135

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